CoMotion MakerSpace – 91Ě˝»¨News /news Wed, 22 Jan 2020 20:21:02 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 Arts 91Ě˝»¨Roundup: Nrityagram Dance Ensemble, Michael Bierut Lecture, and more /news/2018/10/03/artsuw-roundup-nrityagram-dance-ensemble-michael-bierut-lecture-and-more/ Wed, 03 Oct 2018 16:18:58 +0000 /news/?p=59147 This week in the arts, see a performance by an all-female Indian Classical dance ensemble, go to an exhibition opening at 4Culture Gallery, attend a lecture with a renowned graphic designer, and more!


Nrityagram Dance Ensemble

October 4 to 6, 8 pm | Katharyn Alvord Gerlich Theater

The all-female Indian Classical dance ensemble’s daily life of intensive training and meditation brings to the stage compelling performances that are at once sensual and lyrical.

“The only proper response to dancers this amazing is worship.”
— The New York Times

$10 tickets for 91Ě˝»¨students when you show your Husky ID in advance at the or on the night of the show at the Box Office at Meany Hall.


Exhibition Opening: Illusion, multimedia installation by Haein Kang

October 4, 6 to 8 pm | 4Culture Gallery

Illusion is an instrument powered by alpha brain waves, signals produced by our visual cortex in the absence of optical stimuli or when we close our eyes and relax. Haein Kang, a PhD candidate at DXARTS, interactive audiovisual installation integrates percussion instruments, video projection, and EEG signals.

This exhibition is supported by a 4Culture Art Projects grant, CoMotion MakerSpace, and DXARTS at the 91Ě˝»¨.


Michael Bierut, Pentagram: Graphic Design and the Third Dimension

October 4, 7 to 8:30 pm| Kane Hall

The world of the graphic designer is often confined to the flat realms of paper and screens. Michael Bierut will discuss what happens when the discipline engages with architecture, both as a subject, as a context, and as a challenge.

This program is brought to you by 91Ě˝»¨Landscape and Architecture Department and 91Ě˝»¨School of Art+Art History+Design, Division of Design.


Curator Talk: Form, Function, and the Body

October 6, 2 to 3 pm | Henry Art Gallery

Join curators as they share their perspectives and expand upon core ideas in current exhibitions. In this gallery talk, Nina Bozicnik, associate curator, will discuss the making of the work in and the ways these figurative sculptures disarticulate the body and challenge inherited fictions.


Chamber Dance Company

Chamber Dance Concert

October 11 to 14 | Katharyn Alvord Gerlich Theater

For its 28th season, the Chamber Dance Company received a National Endowment for the Arts: Art Works grant to present choreography by Harald Kreutzberg (1902-1968). The 2018 concert, Unspoken, addresses matters that are expressed most poignantly with movement––these voiceless works speak fully and deeply through the art of dance.



]]>
How makerspaces can be accessible to people with disabilities /news/2015/08/05/how-makerspaces-can-be-accessible-to-people-with-disabilities/ Wed, 05 Aug 2015 13:28:29 +0000 /news/?p=38184 Inside the 91Ě˝»¨’s , students, faculty and staff use sewing machines to create anime convention costumes, 3-D print models for aeronautics research or make circuits for a custom-built amplifier.

Inspired by the DIY movement, these communal spaces with soldering irons, laser cutters, saws, duct tape, pegboards full of tools, butcher paper, crayons and other “making” tools are popping up across the country. They enable a broader array of people to tinker, create, crochet or prototype whatever invention they can dream up.

To ensure those spaces are truly inclusive, a team of 91Ě˝»¨researchers has released new to people with disabilities.

91Ě˝»¨sophomore Kayla Wheeler, a congenital amputee, offers input on making makerspaces more accessible to people with disabilities. Photo: Dennis Wise/91Ě˝»¨

The effort is part of a broader National Science Foundation-funded initiative, which supports students with disabilities in pursuing engineering careers and promotes accessible and universal design in engineering departments and courses.

“A lot of universities are creating these more casual prototyping spaces where students can have more of a DIY experience, as an alternative to a traditional machine shop,” said AccessEngineering co-principal investigator , a 91Ě˝»¨assistant professor of mechanical engineering whose focuses on developing tools for people with cerebral palsy, stroke and other movement disorders.

“Because this is a big growth area for engineering schools, we wanted to help with some best practices and guidelines so that as these new spaces are being created they can be accessible to the widest group possible.”

On a recent tour of the UW’s , students with an array of disabilities — from cerebral palsy to vision impairments to autism — found a lot to like. The open spaces worked for people in wheelchairs, and floors were free of wires that could trip people or snag wheels. A wide range of materials and tools allowed people with differing abilities to find things to work with. Quiet rooms around the perimeter of the space offered a refuge for people with hearing impairments or neurodevelopment disorders who have trouble filtering out background noise.

During a prototyping challenge that allowed them to test the tools, though, they ran into some unique challenges in sketching, building and sharing their ideas. Items on their wish list to make the makerspace more usable — which helped inform the new accessibility guidelines — included:

  • large print and braille labels for tools
  • adjustable-height tables with push-button adjustments to accommodate individuals using wheelchairs
  • eliminating tiny drawers that store screws, nuts, bolts and electrical equipment that are difficult for people with motor impairments to open
  • multiple mouse and keyboard options
  • guards on sharp objects so people who use their fingers to “see” won’t inadvertently cut themselves
  • high-contrast, large-print instructional and safety signs
  • making all tools and safety equipment accessible from a seated position
  • having tactile prototyping tools available, such as clay that can be used to quickly “sketch and share” ideas
These suspended electrical outlets that keep wires off the floor prevent tripping hazards, improve wheelchair accessibility and allow for flexibility in the space. At the wrong height, though, they pose problems for people with vision impairments. Photo: Dennis Wise/91Ě˝»¨

Incoming 91Ě˝»¨freshman Hannah Werbel, who is legally blind and participated in the 91Ě˝»¨ program that helps students with disabilities prepare for college, found the bright yellow electrical outlets hanging from the ceiling — which are designed to keep wires off the floor — were at just the right height to be hazardous.

“Those outlets are my arch nemesis — I can’t tell you how many times I’ve been bonked in the head or chest,” Werbel said. “Even if they’re right in front of my face, I can’t see them because of depth perception issues. And a cane wouldn’t pick them up because they’re not on the ground.”

Work tables on wheels were a plus, since they allow people to reconfigure the space as needed and move if people accidentally bump into them. But the students suggested that makerspaces keep equipment — 3-D printers, laser cutters, tools, sewing machines — in the same location.

“The everything-on-wheels thing is really good for people in wheelchairs,” said 91Ě˝»¨sophomore Kayla Wheeler, a congenital amputee who was born with no legs and one arm. “But I could see how it would be really hard for people who can’t see and are trying to make a mental map of the room if everything keeps moving around.”

The UW’s AccessEngineering program helps from across the country in universal design, which means designing spaces, curriculum or environments that work for the widest possible array of people. The program also to help engineering schools incorporate those principles.

Labeling tools in large print and braille and making sure sharp tools have guards help low-vision users safely use makerspaces. Photo: Dennis Wise/91Ě˝»¨

The program has previously released checklists and guidelines for making , , and inclusive of people with disabilities. Many of those recommendations, from large print labels to clutter-free workspaces, wind up benefiting everyone.

The idea for makerspace guidelines arose, in part, because so many new computer-aided design tools — such as 3-D printers or laser cutters — are making it easier for people with disabilities to explore their creativity, prototype ideas and invent.

“It’s really important to make sure these spaces are accessible precisely because these technologies are so enabling,” Steele said. “Engineers are problem solvers, and the more diversity we have in the field the more problems we’ll be able to solve, because everyone comes to that process with different life experiences and priorities.”

The project was funded by the National Science Foundation. Other AccessEngineering leadership includes principal investigator , director of the and centers, and co-principal investigator , assistant professor of computer science and engineering.

Grant number: NSF EEC-1444961.

For more information, contact Steele at kmsteele@uw.edu or AccessEngineering project coordinator Brianna Blaser at blaser@uw.edu.

]]>